“You don’t mean a party?” asked Joan. “In this world,” explained Mr. Simson, “someone has got to be Master. The only question is who.”!

Suddenly the band struck up “God Save the King.” Three commonplace enough young men, seated at a table near to her, laid down their napkins and stood up. Yes, there was something to be said for war, she felt, as she looked at their boyish faces, transfigured. Not for them Business as usual, the Capture of German Trade. Other visions those young eyes were seeing. The little imp within her brain had seized his drum again. “Follow me”—so he seemed to beat—“I teach men courage, duty, the laying down of self. I open the gates of honour. I make heroes out of dust. Isn’t it worth my price?” And suddenly—as years before in a Paris music hall—there leapt to life within Joan’s brain a little impish creature that took possession of her. She hoped the miracle would not happen. The little impish creature within her brain was marching up and down beating a drum. She wished he would stop a minute. Someone was trying to talk to her, telling her she ought to be tremendously shocked and grieved. He—or she, or whatever it was that was trying to talk to her, appeared concerned about Reason and Pity and Universal Brotherhood and Civilization’s clock—things like that. But the little impish drummer was making such a din, she couldn’t properly hear. Later on, perhaps, he would get tired; and then she would be able to listen to this humane and sensible person, whoever it might be.

Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. She would get into correspondence with them, go among them, talk to them. The difficulty, at first, would be in getting them to write to her, to open their minds to her. These voiceless masses that never spoke, but were always being spoken for by self-appointed “leaders,” “representatives,” who immediately they had climbed into prominence took their place among the rulers, and then from press and platform shouted to them what they were to think and feel. It was as if the Drill-Sergeant were to claim to be the “leader,” the “representative” of his squad; or the sheep-dog to pose as the “delegate” of the sheep. Dealt with always as if they were mere herds, mere flocks, they had almost lost the power of individual utterance. One would have to teach them, encourage them. “Oh, yes, we shall have had enough of it,” agreed Flossie, “by the time we’ve paid up. There’s no doubt of that. What about our children? I’ve just left young Frank strutting all over the house and flourishing a paper knife. And the servants have had to bar the kitchen door to prevent his bursting in every five minutes and attacking them. What’s he going to say when I tell him, later on, that his father and myself have had all the war we want, and have decided there shall be no more? The old folks have had their fun. Why shouldn’t I have mine? That will be his argument.”